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Communications Department Home College of Saint Rose Home

TAKE 5: five subjects, five questions


Take 5  Airedale Terrier extraordinaire Daisy Mae dishes about getting attention, soccer, and canine hang-ups when she sits for Sphere writer Francesca Bruno.

As a member of the canine family, do you find it particularly hard to communicate with your non-canine pack members?  Woof.  No seriously, it can be trying at times, but I know that being read loud and clear is just a stolen dinner napkin away.

Now be honest with me.  Do you ever find yourself using your looks to get what you want?  Oh come on, look at me.  How could I not?  It’s not like I asked for this face, you know.

Do you feel that others often misunderstand you in that sense?  I’m a tough girl.  I express love in odd ways. I’m a complicated individual.

Who is your role model?  Some days it’s Snowy from those Tintin adventure comics.  Other times, Cerberus.

In that case, do you have any insight on who keeps littering the yard with bottles from the recycling bin?  No comment.

 


Take 5 The Sphere’s Tom Caprood interviews Kellie Lyons, a 20-year-old culinary arts student who’s passionate about her field but knows when to get down to business. 

What got you interested in the culinary arts?  I’ve loved cooking since I was a child and would watch my grandmother cook all day. It has always been a big passion of mine.

Do you have a specialty?  I enjoy all aspects of my field but I feel that my specialty would have to be in pastries.

Do you want to be a chef or manage your own business?  Someday, I would like to be able to manage my own restaurant or dessert shop.

What’s your favorite dish to make?  A couple dishes I really like to prepare are Stripped Bass Provencal or Chicken Provencal, New England clam chowder and chili. I like preparing them because they’re good hearty food and take time to prepare and prefect.

After 3 years in the program, do you have any regrets?  My regret is that I wish I had been more involved with my culinary arts program during my first year of college. There were so many opportunities I missed out on because I didn’t feel the need to be involved in anything extra other than classes.


Take 5  Father Chris DiGiovine received his masters from Catholic University in Washington D.C. studying theology. He has been ordained for 30 years and began his ministry at Saint Paul’s in Troy. He is the Dean of Spiritual Life and Chaplain at the College of Saint Rose where he has worked since 1989.

Who’s your favorite Saint?  I was born on October 4th which is St. Francis’ feast day. He found holiness by being poor; he made the decision and lived it.

What’s your favorite Gospel?  It used to be Mark because it’s short and closer to Jesus historically, gives Jesus a real human face. John’s Gospel is my favorite because it’s very dangerous. It’s a symbolic and spiritual gospel.

Why has there been a recent resurgence in popularity for Mary Magdalene?  The 4th Century church couldn’t edit her out. There are now different ways to read the Gospels; people are looking at what’s not being said. The review of text is making the character of Mary more interesting.

Do you believe in Exorcism?  Exorcism is in a realm that’s still a mystery. I believe that evil has to become part of God’s direction. Good uses evil for its divine purpose.

What do you think about the current state of the Church?  I think there’s a tremendous hunger around issues of faith. The western world has a particular discomfort with structures and organizations. There’s no trust in law, government, the Church, medicine, and schools. The organized structure of the Church is going to be in a time of real struggle. In ten years or so it’s going to have to change in order to survive.


Take 5  The Sphere’s James Carusone interviews blogger and filmmaker Evan Coyne Maloney, who discusses campus censorship, the future of media, and the intolerant attitudes of the intelligentsia.

You’ve been called a conservative Michael Moore.  What do you make of that comparison?  I don’t know who should be more insulted by that, me or Michael Moore. The reason I’m getting that comparison is because there just aren’t a lot of people who are making films from a perspective other than what Hollywood puts out.

When making your new film, Indoctrinate U, which exposes the lack of tolerance for dissent in academia, did any specific instance or encounter shock you?  The one thing that did surprise me quite a bit was how few administrators wanted to talk. They all refused.

When you were in college, did you ever feel like a target of academia’s intolerant attitude?  I wrote for a political opinion paper, and we would put out stacks around campus and they’d disappear.  We’d thought it was popular until we started finding out that you could only get the paper if you were willing to go into a dumpster.

Will college campuses eventually become bastions of free exchanges of ideas?  They were that way at one point, and I certainly hope they get that way again.  What I’m trying to do is make people aware of the problem.

Which is more effective for getting a point across: video or text blogging?  What I notice is that a lot of people who will not spend seven minutes reading a newspaper or magazine article seven minutes watching a short video online. I think you’re going to see old media move in such a way that it embraces functions that the new media is providing now.


Take 5  Queens native Dan Grskovic interviews his brother Steve Grskovic, an art director for Publicist West in Seattle. His job has a simple concept – come up with ideas for commercials, but the territory ain’t that simple. Now that he’s doing his damn thing in Seattle, Grskovic sat down to talk about his latest business ventures.

Name some of your clients.  American Express, Miller Brewing Company, T-Mobile, Washington’s Lottery…

How much creative control do you have when you are making a commercial?  A good amount, but when you hire a director, you’re hiring him/her to bring their vision to it too. So it becomes a team effort. And the control is shared.

What’s your favorite part of the job?  I love thinking of the ideas, but what’s better than that is seeing the ideas come to life. The actual production is my favorite part. Whether it be a print ad (photo shoot) or a commercial (filming). My favorite commercial I’ve done is an American Express spot featuring Tim Duncan. I love the simplicity of it.

What’s your biggest budget for one commercial?  I am not sure, but we are currently producing three commercials for 800k; which is a lot of money, if you ask me.

How long does it usually take, start to finish, for a commercial to be created?  It should be shorter but we usually have a month of creative development. Then a few weeks of pre production which includes director search, casting, and location scouting. A day or more of filming depending on the setups/locations, and then a week or two of editing and film transfer and sound mixing. So somewhere between two and three months for the whole process.

 

 

 

 

 

 

 

 

 

 

 

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